While most of Punjabi cinema relies on comedy to call their shots, Carry On Jatta franchise has taken its comedy to a more refined level, breaking the clutter of predictable timings and jaded dialogues.Īs Jass colludes with his wily friend Honey, to conceive a family for the orphaned protagonist, therein is the situational comedy. However, this only obstacle also becomes the most challenging for him, and is also the theme of the plot, leading up to mix-ups and cover-ups about who is Dhillon’s actual son and Meet’s real husband. And when he finds a willing lady in Meet, he only has to clear one obstacle, that of finding a family to call his own. With the protagonist, Jass finding desperate measures to pursue his ambition of going abroad, marrying an NRI seems the easiest. This is contrary to the first film’s leading lady Mahie (Mahie Gill), who wants to marry a man without a family.
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The lead plot is the exact opposite of the first film, and the sequel draws its story from the female lead searching for a home full of people after marriage. With comic situations arising out of mistaken identities and conned relations, the film has safely based its formula for success on the same premise as its prequel, comedy of errors. Review: A sequel that took six years to make, has proved itself worth the wait. What follows is a series of hilarious confusions about real relationships, arising out of this con. To achieve this, he piggybacks his lawyer landlord Dhillon (Jaswinder Bhalla) and his son Goldy (Binnu Dhillon), who have a family and a home. Jass connives with his scheming friend Honey (Gurpreet Ghuggi), to con Meet into thinking he has a big family.
But Meet has one wish, of marrying a guy with a big family.
Story: An orphan smitten with dreams of going to Canada, Jass (Gippy Grewal) falls for NRI girl Meet (Sonam Bajwa), at a wedding.
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